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Taiwanese writer Li Jia-ying debuts "Days in the Oven" in Sweden, impresses Nordic readers

Taiwanese literature has once again shone on the international stage as writer Li Jia‑ying was recently invited to Sweden to attend the International Write

Taiwanese literature has once again shone on the international stage as writer Li Jia‑ying was recently invited to Sweden to attend the International Writers’ Stage in Stockholm and the Writer’s Stage at Malmö City Library. This marks a significant milestone for Li Jia‑ying and represents the first time a Taiwanese writer has appeared on these two prominent Swedish literary platforms, symbolising the growing depth and breadth of Taiwanese contemporary literature as it crosses linguistic and cultural boundaries and gains recognition in the Nordic literary community.

The work that captured the attention of the Swedish literary world is the novel *Good Days in the Oven*, translated into Swedish. Following its release in Sweden, the book struck a powerful chord with local readers. Its narrative delves deeply into the interplay of memory’s reality and illusion, the blurred lines between reality and fantasy, and the unavoidable trauma, struggle, and transformation that each person experiences during childhood. Although rooted in a specific cultural context, the novel’s exploration of universal emotions and human dilemmas allows it to transcend cultural differences and resonate deeply with Swedish readers.

Sweden is renowned for its comprehensive literary promotion mechanisms and high reading population. Stockholm’s International Writers’ Stage and Malmö City Library’s Writer’s Stage have long served as key showcases for introducing outstanding global literature to the Nordic region. An invitation to participate in both events indicates that Li Jia‑ying’s work has undergone rigorous evaluation and received high praise from professional juries and curatorial teams. During the events, Li Jia‑ying engaged in in‑depth dialogues with Swedish readers and literary professionals, sharing the inspirations behind her writing, her creative journey, and the philosophical reflections she seeks to convey, offering Nordic readers a glimpse of the unique character of Taiwanese contemporary literature.

In recent years, Taiwanese literary works have increasingly shown results in overseas translation and promotion. More and more outstanding local writers and works are being seen by the world through various international exchange channels. Li Jia‑ying’s trip to Sweden is not only a personal literary showcase but also a concrete demonstration of Taiwan’s cultural soft power. By exporting literary works, people from different cultural backgrounds can engage in deep spiritual exchange, understand each other’s resonances and differences in history, society, and personal growth experiences, thereby enhancing Taiwan’s visibility on the international cultural map.

With the favorable reception of *Good Days in the Oven* in Sweden and Li Jia‑ying’s successful appearance on the local literary stage, Taiwanese literature has opened a new path in the Nordic market and laid a solid foundation for more Taiwanese writers to go international. This achievement proves the true meaning of literature without borders: as long as a work can touch the deepest resonance of humanity, regardless of language and geographic distance, it can find its readers and kindred spirits worldwide.

Fact source: Central News Agency.

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